The Popular Arts Conference (PAC) is looking for volunteers to help with putting together PAC 2027!
PAC is an annual academic conference for the studies of the popular arts, including science/speculative fiction and fantasy literature, film, and other media; comic books and graphic novels; anime and manga; tabletop and video gaming; etc., presented to a mixed audience of scholars and fans. The mission of PAC is to promote scholarship on popular culture and to encourage engagement between scholars and fans in order to deepen our understanding of the popular arts. PAC presentations are peer reviewed, based on scholarly research.
Putting on the conference is complicated: We have to solicit proposals, run a complete peer review process, coordinate with the decentralized administration of DragonCon programming, and get the word out about the event, among other things. It takes a team to make it happen, and we’ve been lucky for most of the past two decades to have a fabulous group of volunteers to make it happen.
No one gets paid to organize PAC, but that does not mean it is without its rewards. PAC is like any academic conference in that volunteering is a form of service to the profession. Academics whose positions require such service should receive credit for their role with PAC. It is also a form of public outreach or public scholarship. Finally, working with PAC presenters and DragonCon audiences is a pleasure and a privilege.
If you’re interested in helping out, please fill out the form below to let us know how you’d be able to help.
The Popular Arts Conference (PAC) invites submissions for our 20th Annual meeting in Atlanta, Georgia, September 2-6, 20267
PAC is an annual academic conference for the studies of the popular arts, including science/speculative fiction and fantasy literature, film, and other media; comic books and graphic novels; anime and manga; tabletop and video gaming; etc., presented to a mixed audience of scholars and fans. The mission of PAC is to promote scholarship on popular culture and to encourage engagement between scholars and fans in order to deepen our understanding of the popular arts. PAC presentations are peer reviewed, based on scholarly research.
Please submit a proposal that engages in substantial scholarly examinations of comic books/graphic novels, anime, manga, science/speculative fiction, fantasy, fandoms, or other parts of popular culture.
A broad range of disciplinary and theoretical perspectives is sought, including but not limited to proposals pertaining to literary and art criticism, cultural studies, history, communications, philosophy, linguistics, pedagogy, law, and scientific studies. Some examples of appropriate subjects include: discussions of the nature of the comics medium; how to utilize pop culture in the classroom; analyses of particular works or authors; cross-cultural and cross-medium comparisons; social-scientific studies of fandom cultures; etc.
PAC talks are presented to a mixed audience of academics and fans, and take place in conjunction with DragonCon, a large multi-media, popular culture convention. Presentations will need to appeal to at least one of the programming tracks and areas at the convention.
Presentations should be prepared with a general audience in mind. Presenters must register for DragonCon if their paper is accepted in order to present. Because DragonCon involves tens of thousands of fans descending on downtown Atlanta presenters from out of town are encouraged to make lodging arrangements far in advance and may wish to consider booking refundable tickets before receiving a decision on their proposal. Membership fees also increase periodically throughout the year, becoming more expensive closer to the event.
Please note that PAC is an in-person conference. Applicants should make arrangements to be available to present on any of the conference’s five days, including Monday. Due to the unique nature of PAC and its venue, organizers are generally not able to accommodate requests from presenters to select their presentation day(s), and we may not know the final date and time of presentations until only a few weeks before the conference.
Submission instructions: Please follow the submission instructions for the kind of presentation as listed below. Prospective participants may submit multiple proposals, but only one per submission type. Note that all submissions require a PDF file upload as specified below. All submission types should be prepared for anonymous review.
For individual papers and presentations: Please submit up to 500 word abstracts plus preliminary bibliography. Your abstract should be pasted into the submission form and your abstract and bibliography should be uploaded as a PDF.
For group panels and presentations: In addition to the up to a 500 word abstract pasted into the submission form, you should submit a 1-2 page PDF document that further explains the rationale for a group session and explains the format and the planned contributions of all panelists. Group panels do typically consist of each panelist giving a formal talk, but they should not be individual papers loosely organized around a theme. The proposal should be a genuinely collaborative, synthetic panel with a strong reason for the presenters to be considered as a group as opposed to individually. (Note that sessions will generally be limited to a 1-hour time slot.)
For informal sessions such as roundtables, workshops, and book sessions: Please submit an abstract of up to 500 words pasted into the submission form, plus a 1-2 page document that outlines the objective of the workshop or roundtable, or a brief description of the format of the book session including title, summary of the book, and session format (author meets critic, book discussion, etc). (Note that sessions will generally be limited to a 1-hour time slot.)
For all proposals, because this is an interdisciplinary conference, and because the reviewers come from a variety of scholarly and intellectual backgrounds, it is to your benefit to include explicit language describing your critical approach or references to the literatures your work is drawing on and responding to.
While the conference is attended by a diverse audience, your abstract should be targeted towards academic peer reviewers.
Please submit your proposal via the following link:
[Link Coming Soon]
Submissions Deadline: To receive the fullest consideration, proposals will be submitted by December 15, 2026. Submissions that come in after this deadline may still be considered, on a case-by-case basis.
Presenters should tentatively expect to receive notification regarding their submission to PAC 2027 before the end of January. Please note: final acceptance to the conference is contingent upon DragonCon track scheduling decisions which will come closer to the convention. PAC has little control over this stage of the process.
This submission process is open to everyone, but we are especially interested in receiving submissions from members of those groups traditionally underrepresented in academia, such as women, LGTBQIA+ academics, and academics of color. Send any questions to: info@populararts.org
Beyond “The Burn”: Hegemony in Streaming-Era Star Trek
Trek
Friday
Creative Limitations & Pressures in Animation
Friday 8:30am (Galleria 1 Hilton) Animation Track
Description: Panelists discuss aesthetics, politics, and industry pressures in animation. Scholars will look back at early regulations on depictions of 1970s black superheroes like Black Vulcan, Super Stretch, and Microwoman, and then forward to contemporary pressures around the use of CGI and AI in animated features, and the post-realism embrace of imperfection, from The Lego Movie to K-Pop Demon Hunters.
Presenters:
Angela Marie Nelson (Bowling Green State University), “Black Superheroes in 1970s TV Sitcoms and Animated Cartoons: Gender, Race, and Power”
Colin Wheeler (Kennesaw State University), “From The Lego Movie to K-Pop Demon Hunters: The Resurgence of Hand-Drawn Aesthetics in CGI Feature-Length Animation”
Moderator: Johnathan Flowers (California State University, Northridge)
Postmodern Superheroes: Power, Violence, and Trauma
Friday 2:30pm (M301 Marriott) American Sci-Fi/Fantasy Media Track
Description: The scholars on this panel explore postmodern superhero media, focused on the television series The Boys (2019-present) and Watchmen (2019), focusing on the themes of violence, trauma, cynicism, corporate power, post-9/11 American exceptionalism, militarism, hero worship, and resistance to authoritarianism.
Presenters:
Rob Brissey (Horry-Georgetown Technical College), “Postmodern Hope: Superman, Billy Butcher, and Resistance to Authoritarian Thinking”
Ryann Munthe (Texas Woman’s University), “Mask of Trauma: Using Watchmen to Decode the Violence of Real and Fictional Trauma”
Moderator: Matthew J. Brown (Southern Illinois University Carbondale)
Conference Dinner
Friday 5:30pm
Group dinner for conference presenters and organizers; please see email for location & RSVP.
Diversity and Representation in Comics
Friday 10:00pm (Chastain F Westin) Comics Track
Description: Comics scholars explore issues of diversity and representation in comics, from the influence of Deaf culture on X-Men comics to the representation of women, people of color, and queer characters in Joshua Quagmire’s Cutey Bunny.
Presenters:
Courtney Bliss (Marion Technical College), “It Started with a School: The role of education in Deaf culture and the X-Men”
James Irby (Indiana University of Pennsylvania), “Marginalized No More! Progressive Bunny Hits the Mark”
Moderator: Johnathan Flowers (California State University, Northridge)
Saturday
Teaching Environmental Justice through Comics
Saturday 1:00 pm (Chastain F Westin) Comics Track
Description: This panel examines the teaching and creation of sequential art and comics as pedagogical tools for addressing environmental problems; human, animal and environmental justice; and personal development of critical thinking, problem solving, perspective-taking and empathy.
Presenters:
Lucy Monette (University of South Florida), “Beyond Anthropocentrism: Teaching Humane Inquiry Through Comics Pedagogy”
Moderator and Commenter: Matthew J. Brown (Southern Illinois University Carbondale)
Description: Scholars of tabletop gaming explore the relationship of the hobby to issues of disability and diversity, including critiques of issues of disability representation in major TTRPGs and an ethnographic study of how tabletop gaming communities attract, foster, and encourage acceptance and growth of its neurodivergent members.
Presenters:
Sam Jones (Kutztown University of Pennsylvania), “Roll for Representation: Disability Portrayal in TTRPGs”
Jackson Morris (Georgia State University), “In Response!: The TTG community and Neurodiversity”
Moderator: Matthew J. Brown (Southern Illinois University Carbondale)
African and African-American Comics
Saturday 7:00 pm (Chastain F Westin) Comics Track
Description: Comics scholars explore themes and influences in African and African-American comics, including the influence of Black and African religion and spirituality, themes of science and technology, and Afro-/African futurism.
Presenter: Antionette Brown-Waithe (Georgia State), “The Future Was Long Ago: Agency, Power and the Search for Self in Black Speculative Comics”
Commenter: Johnathan Flowers (California State University, Northridge)
Moderator: Matthew J. Brown (Southern Illinois University Carbondale)
Description: Scholars of roleplaying games explore philosophical and cultural issues in the hobby. How do player agency and character goals interact? Should a player feel regret for the actions of their character? How can culture radically change the way a game is understood and played?
Panelists: Barry Rich (University of Tennessee Southern), Matthew J. Brown (Southern Illinois University Carbondale), Johnathan Flowers (California State University, Northridge)
PAC Business Meeting
Sunday 4:00pm (Marietta Hyatt)
Description: Interested in getting more involved with PAC? All PAC presenters, organizers, program committee members, and potential future participants are welcome to attend. We will discuss how PAC works, get your feedback on our processes, and make plans for PAC 2027.
From Samurai to K-Pop: Recontextualizing Traditions
Sunday 5:30pm (309-312 Hilton) Silk Road Track
Description: From the flattening of the traditional Samurai text, Hagakure, in the movie “Ghost Dog: The Way of the Samurai” to the creative reworking of K-Pop lyrics and lightsticks in the 2025 Korean protest movement, scholars examine how the dislocation of texts from their original cultural or historical contexts reshapes the ways they are interpreted, adapted, and mobilized.
Presenters:
Eliza Gainty (University of Georgia), “Translating the Way of the Samurai: Decontextualization and Cultural Exchange in Ghost Dog (1999)”
Kelly Kwon (Emory University), “K-pop Lightsticks in 2025 Impeachment Protest and Han Kang’s Literature on Authoritarianism”
Moderator: Johnathan Flowers (California State University, Northridge)
Graphic Memoirs: Where the Textual and Visual Meet
Sunday 7:00 pm (Chastain F Westin) Comics Track
Description: Situated at the intersection of visual storytelling, autobiography, and cultural critique, graphic memoirs offer a uniquely embodied form of narrative. Comics scholars explore the way point of view is rendered not only through language, but through line, layout, color, and visual metaphor.
Presenter: Derek Wohlust (University of Florida), “Drawing Perspective from the Graphic Memoir”
Commenter: Courtney Bliss (Marion Technical College)
Moderator : Matthew J. Brown (Southern Illinois University Carbondale)
Monday
Horse Figures and Human Struggles in Animation
Monday 10:00 am (Galleria 1 Hilton) Animation Track
Description: Pop culture scholars discuss important social issues and critiques through animated narratives featuring anthropomorphized horses as main characters (Spirit: Stallion of the Cimarron.)
Presenters:
Mirjam Piepot (University of Alabama), “More Than Just a Children’s Horse Movie? Spirit: Stallion of the Cimarron and Native American Representation”
Moderator: Matthew J. Brown (Southern Illinois University Carbondale)
Octavia Butler: Patterns and Parables
Monday 11:30 am (Embassy AB Hyatt) Science Fiction Literature Track
Description: Octavia Butler’s speculative fiction has been celebrated for her engagement with histories of oppression and survival, exploring power in alternate worlds and possible futures. Literary scholars will discuss Butler’s characters, her unique worldbuilding, and how her legacy has evolved.
Presenters: Jennifer Flaherty (Georgia College & State University), Johnathan Flowers (California State University, Northridge), Mary Magoulick (Georgia College & State University)
Moderator: Matthew J. Brown (Southern Illinois University Carbondale)
Beyond “The Burn”: Reckoning with Hegemony in Streaming-Era Star Trek
Monday 1:00 pm (Galleria 2-3 Hilton) Trek Track
Description: Pop culture scholars examine Star Trek as a source of political commentary, focusing on how Star Trek Discovery (seasons 3-5) and Star Trek Academy respond to and comment on the role and status of the United States in a posthegemonic world.
Presenter: Ralph Lawson (Columbia College), “Beyond ‘The Burn’: Reckoning with Hegemony in Streaming-Era Star Trek”
Commenter: Johnathan Flowers (California State University, Northridge)
Moderator: Courtney Bliss (Marion Technical College)
About the Popular Arts Conference
PAC is an annual academic conference for the studies of the popular arts, including science/speculative fiction and fantasy literature, film, and other media, comic books, manga, graphic novels, anime, gaming, etc. PAC presentations are peer reviewed, based in scholarly research. Visit our website for more info and next year’s CFP: https://populararts.org/
Organizing Committee
Matthew J. Brown (Southern Illinois University Carbondale) – Founder, Program Co-Chair Richard Scott Nokes (Troy University) – Program Co-Chair Daniel Amrhein (Independent Scholar) Courtney Bliss (Marion Technical College) Jillian Marie Browning (University of Alabama, Birmingham) Johnathan Flowers (California State University, Northridge) Kari Neely (Middle Tennessee State University)
Program Committee
Rachel Dean-Ruzicka (Georgia Tech) Poe Johnson (Drew University) Andrew Kemp-Wilcox (University of Arizona) Ralph Lawson III (Columbia College) Victoria Navarra (Randolph-Macon College) Barry Rich (University of Tennessee Southern) Katelyn Schuler (Troy University) Matthew J. Smith (The Ohio State University at Newark) Savanna Teague (Middle Tennessee State University)
The Popular Arts Conference (PAC) invites submissions for our 19th Annual meeting in Atlanta, Georgia, September 3-7, 2026.
PAC is an annual academic conference for the studies of the popular arts, including science/speculative fiction and fantasy literature, film, and other media; comic books and graphic novels; anime and manga; tabletop and video gaming; etc., presented to a mixed audience of scholars and fans. The mission of PAC is to promote scholarship on popular culture and to encourage engagement between scholars and fans in order to deepen our understanding of the popular arts. PAC presentations are peer reviewed, based on scholarly research.
Please submit a proposal that engages in substantial scholarly examinations of comic books/graphic novels, anime, manga, science/speculative fiction, fantasy, fandoms, or other parts of popular culture.
A broad range of disciplinary and theoretical perspectives is sought, including but not limited to proposals pertaining to literary and art criticism, cultural studies, history, communications, philosophy, linguistics, pedagogy, law, and scientific studies. Some examples of appropriate subjects include: discussions of the nature of the comics medium; how to utilize pop culture in the classroom; analyses of particular works or authors; cross-cultural and cross-medium comparisons; social-scientific studies of fandom cultures; etc.
PAC talks are presented to a mixed audience of academics and fans, and take place in conjunction with DragonCon, a large multi-media, popular culture convention.
Presentations should be prepared with a general audience in mind. Presenters must register for DragonCon if their paper is accepted in order to present. Because DragonCon involves tens of thousands of fans descending on downtown Atlanta presenters from out of town are encouraged to make lodging arrangements far in advance and may wish to consider booking refundable tickets before receiving a decision on their proposal. Membership fees also increase periodically throughout the year, becoming more expensive closer to the event.
Please note that PAC is an in-person conference. Applicants should make arrangements to be available to present on any of the conference’s five days, including Monday. Due to the unique nature of PAC and its venue, organizers are generally not able to accommodate requests from presenters to select their presentation day(s), and we may not know the final date and time of presentations until only a few weeks before the conference.
Submission instructions: Please follow the submission instructions for the kind of presentation as listed below. Prospective participants may submit multiple proposals, but only one per submission type. Note that all submissions require a PDF file upload as specified below. All submission types should be prepared for anonymous review.
For individual papers and presentations: Please submit up to 500 word abstracts plus preliminary bibliography. Your abstract should be pasted into the submission form and your abstract and bibliography should be uploaded as a PDF.
For group panels and presentations: In addition to the up to a 500 word abstract pasted into the submission form, you should submit a 1-2 page PDF document that further explains the rationale for a group session and explains the format and the planned contributions of all panelists. Group panels do typically consist of each panelist giving a formal talk, but they should not be individual papers loosely organized around a theme. The proposal should be a genuinely collaborative, synthetic panel with a strong reason for the presenters to be considered as a group as opposed to individually. (Note that sessions will generally be limited to a 1-hour time slot.)
For informal sessions such as roundtables, workshops, and book sessions: Please submit an abstract of up to 500 words pasted into the submission form, plus a 1-2 page document that outlines the objective of the workshop or roundtable, or a brief description of the format of the book session including title, summary of the book, and session format (author meets critic, book discussion, etc). (Note that sessions will generally be limited to a 1-hour time slot.)
For all proposals, because this is an interdisciplinary conference, and because the reviewers come from a variety of scholarly and intellectual backgrounds, it is to your benefit to include explicit language describing your critical approach or references to the literatures your work is drawing on and responding to.
While the conference is attended by a diverse audience, your abstract should be targeted towards academic peer reviewers.
Please submit your proposal via the following link:
Submissions Deadline: To receive the fullest consideration, proposals will be submitted by January 12, 2026. Submissions that come in after this deadline may still be considered, on a case-by-case basis.
Presenters should tentatively expect to receive notification regarding their submission to PAC 2026 before the end of February. Please note: final acceptance to the conference is contingent upon DragonCon track scheduling which will come closer to the convention.
This submission process is open to everyone, but we are especially interested in receiving submissions from members of those groups traditionally underrepresented in academia, such as women, LGTBQIA+ academics, and academics of color. Send any questions to: info@populararts.org
The Comics and Popular Arts Conference (CPAC) invites submissions for our 12th Annual meeting in Atlanta, Georgia, August 30-September 2, 2019.
CPAC is an annual academic conference for the studies of comics and the popular arts, including science/speculative fiction and fantasy literature, film, and other media, comic books, manga, graphic novels, anime, gaming, etc., presented to a mixed audience of scholars and fans. The mission of CPAC is to promote scholarship on popular culture and to encourage the engagement between scholars and fans in order to deepen our understanding of comics and the other popular arts. CPAC presentations are peer reviewed, based in scholarly research.
Please submit a proposal that engages in substantial scholarly examinations of comic books/graphic novels, anime, manga, science/speculative fiction, fantasy, or other parts of popular culture.
A broad range of disciplinary and theoretical perspectives is being sought, including but not limited to proposals pertaining to literary and art criticism, philosophy, linguistics, history, communications, law, pedagogy, and natural and social sciences. Proposals may range, for example, from discussions of the nature of the comics medium, the science of a particular franchise, how to utilize pop culture in the classroom, analyses of particular works or authors, cross-cultural and cross-medium comparisons, and more. We are open to any and all academic topics relevant to the study of the popular arts.
CPAC talks are presented to a mixed audience of academics and fans, and take place in conjunction with DragonCon. Presentations should be prepared with a general audience in mind. Presenters must register for DragonCon if their paper is accepted in order to present. Presenters from out of town should make lodging arrangements far in advance.
Individual and group submissions should both be tailored to fit in one of the following tracks:
Comics
Anime/Manga
American SF Media
Sci-Fi Literature
Star Trek
Tabletop Gaming
Animation
Horror
Paranormal Fiction
Apocalyptic / Post-Apocalyptic
Alt History / Steampunk
American SF Classics
Urban Fantasy
Electronic Frontiers Forum
Fantasy Literature
Military SciFi
Podcasting
Puppetry
Star Wars
Asian Cinema & Culture
Young Adult Lit
Diversity in Speculative Fiction
High Fantasy
Video Gaming
While there may be great intellectual merit in cross-track proposals, or proposals that include materials covered by various tracks, administratively, it can be very difficult to place such proposals. We prefer that you select one topic per proposal, though if your proposal would fully fit either track, you may select two.
We are interested in proposals for any of the above tracks, not only Comics.
Submission instructions: please follow the submission instructions for the kind of presentation as listed below. Prospective participants may submit multiple proposals, but only one per track.
For individual papers and presentations: please submit 250-300 word abstracts to the link below.
For group panels and presentations: in addition to the 250-300 word abstract, you should submit a 1-2 page document that further explains the rationale for a group session and explains the format and the planned contributions of all panelists. Group panels should not be individual papers loosely organized around a theme, but genuinely collaborative presentations with a strong reason to be considered as a group as opposed to individually. (This differs from our requirements from previous years.)
For informal sessions such as roundtables, workshops, and book sessions: please submit a 250-300 word abstract to the link below, plus a 1-2 page document that outlines the objective of the workshop or roundtable, or a brief description of the format of the book session including title and subject matter of the book (author meets critic, book discussion, etc).
Please submit your proposal via the following link:
Submissions Deadline:To receive the fullest consideration, proposals will be submitted by January 15, 2019February 11, 2019.
This submission process is open to everyone, but we are especially interested in receiving submissions from members of those groups traditionally underrepresented in academia, such as women, LGTBQIA academics, and academics of color.
Thanks for supporting us and especially to those of you who attended our panels in 2017. DragonCon is doing a survey of attendees, so if you attended this year, and you enjoyed what we did, please fill out the survey and mention us by name, “Comics and Popular Arts Conference (CPAC).” If you didn’t like it being difficult to find us in the app, you could mention that as well. If you’d like to see an academic pop culture studies track at DragonCon with more consistent programming throughout the day, you could share that desire as well.
We’d never ask you to stuff the ballot box, so to speak, but if you did attend DragonCon and enjoy our panels, please let DragonCon know.
The Comics and Popular Arts Conference (CPAC) invites submissions for our 10th Annual meeting in Atlanta, Georgia, September 1-4, 2017.
CPAC is an annual academic conference for the studies of comics and the popular arts, including science/speculative fiction and fantasy literature, film, and other media, comic books, manga, graphic novels, anime, gaming, etc. CPAC presentations are peer reviewed, based in scholarly research.
Please submit a proposal that engages in substantial scholarly examinations of comic books, manga, graphic novels, anime, science/speculative fiction, fantasy, or other parts of popular culture. A broad range of disciplinary and theoretical perspectives is being sought, including literary and art criticism, philosophy, linguistics, history, and communication. Proposals may range from discussions of the nature of the comics medium, analyses of particular works and authors, discussions of the visual language of comics and manga, comics and pop culture in the classroom, cross-cultural and cross-medium comparisons, and more. We’re open to any topics relevant to the study of comics and the popular arts.
CPAC talks are presented to a mixed audience of academics and fans, and take place in conjunction with DragonCon. Talks should be prepared with a general audience in mind. Presenters must register for DragonCon if their paper is accepted in order to present. Presenters from out of town should make lodging arrangements far in advance.
Individual and group submissions should both be tailored to fit on one of the following tracks:
While there may be great intellectual merit in cross-track proposals, or proposals that include materials covered by various tracks, administratively, it can be very difficult to place such proposals. We are interested in proposals for any of these tracks, not only Comics.
Submission instructions: We seek 250 word abstracts for a variety of proposal formats, including standard individual presentations, group panels, and informal sessions such as roundtables, workshops, and book sessions. You may submit multiple proposals, but only one per track.
Please submit your proposal via the following steps:
Go to https://cmt3.research.microsoft.com/CPAC2017, create a new login, and then you’ll get to the Author Console with a prominent “+ Create new submission” button. From there you can see and follow the steps on the submission form.
Submissions Deadline: To receive the fullest consideration, proposals will be submitted by March 1, 2017. After that, we will consider submissions on a rolling basis, up until the final deadline of April 30.
This submission process is open to everyone, but we are especially interested in receiving submissions from members of those groups traditionally underrepresented in academia, such as women, LGTBQIA academics, and academics of color.
The Comics and Popular Arts Conference (CPAC) invites submissions for our 9th Annual meeting in Atlanta, Georgia, September 2-5, 2016.
Submissions are Closed.
CPAC is an annual academic conference for the studies of comics and the popular arts, including science/speculative fiction and fantasy literature, film, and other media, comic books, manga, graphic novels, anime, gaming, etc. CPAC presentations are peer reviewed, based in scholarly research.
Please submit a proposal that engages in substantial scholarly examinations of comic books, manga, graphic novels, anime, science/speculative fiction, fantasy, or other parts of popular culture. A broad range of disciplinary and theoretical perspectives is being sought, including literary and art criticism, philosophy, linguistics, history, and communication. Proposals may range from discussions of the nature of the comics medium, analyses of particular works and authors, discussions of the visual language of comics and manga, comics and pop culture in the classroom, cross-cultural and cross-medium comparisons, and more. We’re open to any topics relevant to the study of comics and the popular arts.
CPAC talks are presented to a mixed audience of academics and fans, and take place in conjunction with DragonCon. Talks should be prepared with a general audience in mind. Presenters must register for DragonCon if their paper is accepted in order to present. Presenters from out of town should make lodging arrangements far in advance.
Individual and group submissions should both be tailored to fit on one of the following tracks:
While there may be great intellectual merit in cross-track proposals, or proposals that include materials covered by various tracks, administratively, it can be very difficult to place such proposals. We are interested in proposals for any of these tracks, not only Comics.
Submission instructions: We seek 250 word abstracts for a variety of proposal formats, including standard individual presentations, group panels, and informal sessions such as roundtables, workshops, and book sessions. You may submit multiple proposals, but only one per track.
Please submit your proposal using one of these forms:Submissions are closed.
This submission process is open everyone, but were especially interested in receiving submissions from members of those groups traditionally underrepresented in academia, such as women, LGTBQIA academics, and academics of color.